1. biographie; 2. quelques oeuvres; 3. According to one view, Baldung's work did not represent widespread cultural beliefs at the time of creation but reflected largely individual choices. Baldung's most sustained effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power that Martin Schongauer bequeathed to the Swabian school. Hans Baldung vécut au XVIe siècle, une époque de profonds bouleversements qui trouva un reflet dans son œuvre, réalisée principalement à Strasbourg. The Moment of Self-Portraiture in German Renaissance Art. He started his apprenticeship when he was 15 years old, probably in the workshop of a Strasbourg master. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) What people are saying - Write a review. Hans Baldung Grien (1484/5 - 1545) Baldung Grien was a 16th-century German artist who was active as a painter, printmaker and stained-glass designer. Credit Line: Harris Brisbane Dick Fund, 1927. 1993. Painter, copperplate engraver, commercial artist (male), draughtsman and design draughtsman. He probably also got this nickname to distinguish him from at least two other Hanses in Dürer's shop, Hans Schäufelein and Hans Suess von Kulmbach. Hans Baldung Grien or Grün (c. 1484 – September 1545) was a German artist in painting and printmaking who was considered the most gifted student of Albrecht Dürer.Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. 1504 – 1507; Saint Roch ca. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 13 Works by Hans Baldung Grien. 0 Reviews. Limit to works with online images. À l'intérieur du livre . Hans Baldung Grien (1484 env.-1545) : Les Trois Âges de la femme et la Mort.Triptyque, 198 cm X 147 cm chaque panneau. Hans Baldung, les Sept Étapes de la vie d'une femme. Victime d’un incendie en 1947 et considéré comme irrécupérable, un tableau de Hans Baldung Grien (1484/85-1545) était relégué dans les réserves des Musées de Strasbourg. Throughout his lifetime, he developed a distinctive style, full of colour, expression and imagination. index. Flesh is a mere glaze under which the features are indicated by lines. Like Dürer and Cranach, Baldung supported the Protestant Reformation. He later included the name "Grien" in his monogram, and it has also been suggested that the name came from, or consciously echoed, "grienhals", a German word for witch—one of his signature themes. Version du musée du Prado, Madrid, Espagne. dit Baldung Grien. [4] His earliest training as an artist began around 1500 in the Upper Rhineland by an artist from Strasbourg. He helped introduce supernatural and erotic themes into German art, although these were already amply present in Dürer's work. Here, he may have been given his nickname "Grien". 6: Section 3. Hans Baldung. Hans quickly picked up Dürer's influence and style, and they became friends: Baldung seems to have managed Dürer's workshop during the latter's second sojourn in Venice. 05-feb-2016 - Explora el tablero "Hans Baldung Grien" de Alberto Pleguezuelos Porcel, que 108 personas siguen en Pinterest. Phoebus-Verlag, 1950. Classification. Baldung settled eventually in Strasbourg and then to Freiburg im Breisgau, where he executed what is held to be his masterpiece. Hans Baldung, dit Grien (en raison de sa prédilection pour la couleur verte), est un graveur, dessinateur, peintre et vitrailliste allemand de la Renaissance. [12], Baldung was the first artist to heavily incorporate witches and witchcraft into his artwork (his mentor Albrecht Dürer had sporadically included them but not as prominently as Baldung would). Hans Baldung. Augsburg.Google Scholar. Hans Baldung Grien. His talents were varied, and he produced a great and extensive variety of work including portraits, woodcuts, drawings, tapestries, altarpieces, stained glass, allegories and mythological motifs. "Baldung and the Witches of Freiburg: The Evidence of Images", "Washington and Yale. [10], Baldung also regularly incorporated scenes of witches flying in his art, a characteristic that had been contested centuries before his artwork came into being. Sacré et profane. Hans Baldung Grien (1978) Manierismus im Spätwerk Hans Baldung Griens (1966) Hans Baldung Grien und Albrecht Dürer in Nürnberg (1963) Table des matières. – Vier fachgerecht geschlossene Einrisse im Rand. Baldung partook in this culture, producing not only many works depicting Strasbourg humanists and scenes from ancient art and literature, but what an earlier literature on the artist described as his satirical take on his depiction of witches. He trained in Strasbourg and completed his studies in Dürer’s workshop where he is documented around 1503. In a later trip to the Netherlands in 1521 Dürer's account book records that he took with him and sold prints by Baldung. Gert von der Osten comments on this aspect of "Baldung [treating] his witches humorously, an attitude that reflects the dominant viewpoint of the humanists in Strasbourg at this time who viewed witchcraft as 'lustig,' a matter that was more amusing than serious". We haven't found any reviews in the usual places. (22.4 × 15.9 cm) Classification: Prints. The long, forceful contour lines and the shorter, curved hatchings that imbue the drawing with plasticity and depth bear witness to Baldung Grien’s skill as a draftsman. His paintings are less important than his prints. 1484/85–1545 Strasbourg) Date: 1514. Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. Grand artiste de la Renaissance, Hans Baldung Grien fait l'objet d'une rétrospective exceptionnelle à Karlsruhe en Allemagne. He worked mainly in woodcut, although he made six engravings, one very fine. Bil je vsestransko nadarjen. 1484 ou 1485 – Naissance de Hans Baldung Grien, probablement à Schwäbisch Gmünd. Hans quickly picked up Dürer's influence and style, and they became good friends: Baldung managed Dürer's workshop during the latter's second sojourn in Venice. Le Maître Autel de la Cathédrale Notre-Dame de Fribourg est un retable, de Hans Baldung Grien peint entre 1512 et 1516 pour la Cathédrale Notre-Dame de Fribourg-en-Brisgau, en Allemagne.. Signature. Grien, Hans Baldung Source: The Oxford Dictionary of Art and Artists Author(s): Ian Chilvers Born 1484 / 1485 in Schwäbisch Gmünd Died 1545 in Strasbourg. As a motif for the draft of the glass plane featured here, most likely meant to be a design bearing a coat of arms, he used the magnificently attired landsknechts, which King Maximilian I had assembled in the Imperial City for the campaign in the War of the Landshut Succession in 1504. In the field of painting, his Eve, the Serpent and Death (National Gallery of Canada) shows his strengths well. View more lots. "The Martyrdom of St Sebastian and the Epiphany" (now Berlin, 1507), were painted for the market-church of Halle in Saxony.[16]. Bishop (Fragment from an Altarpiece) - Hans Baldung Grien Leslie Hindman Auctioneers, Chicago. He is also renowned for his printmaking, with woodcuts as his preferred material. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. 1504 – 1507; Saint Sebastian ca. Hans Baldung Grien. [13], Throughout his life, Baldung painted numerous portraits, known for their sharp characterizations. Crédits : … Ausgezeichneter, kräftiger Abdruck mit dem Dürer-Monogramm und einem bis zu 5 mm breiten Rändchen um die Einfassungslinie. They show little direct Italian influence. Hans Baldung, les Sept Étapes de la vie d'une femme. prints not for book illustration) are fewer than 100, though no two catalogues agree as to the exact number. [5][6], At the age of 26, Baldung married Margaretha (née Herlin),[b] with whom he had one child: Margarethe Baldungin.[7]. "Il compte parmi les grands artistes du XVIe siècle germanique. Hans Baldung, Gen. Grien (1484/85 Schwäbisch Gmünd - Straßburg 1545) Literature. On Dürer's death Baldung was sent a lock of his hair, which suggests a close friendship. He joined in the fashion for chiaroscuro woodcuts, adding a tone block to a woodcut of 1510. Baldung never worked directly with any Reformation leaders to spread religious ideals through his artwork, although living in fervently religious Strasbourg,[11] although he was a supporter of the movement, working on the high altar in the city of Münster, Germany. Hans Baldung was the son of Johann Baldung, an university-educated jurist, having since 1492 the office of legal adviser to the bishop of Strasbourg (Albert of Bavaria), and Margarethe Herlin, daughter of Arbogast Herlin, he was not propertyless, but with unknown occupation,[2] and his family living in this city, Hans made his apprenticeship there, with an artist remained unknown. [16], The Virgin as Queen of Heaven with the Christ Child in her arms, John of Patmos Kunsthistorisches Museum, Vienna, 1510, 16th century German painter and printmaker. Most of his hundreds of woodcuts were commissioned for books, as was usual at the time; his "single-leaf" woodcuts (i.e. [15], The earliest pictures assigned to him by some are altar-pieces with the monogram H. B. interlaced, and the date of 1496, in the monastery chapel of Lichtenthal near Baden-Baden. Aller au contenu principal [14] Here in painted an eleven-panel altarpiece for the Freiburg Cathedral, still intact today, depicting scenes from the life of the Virgin, including, The Annunciation, The Visitation, The Nativity, The Flight into Egypt, The Crucifixion, Four Saints and The Donators. [3] His uncle, Hieronymus Baldung, was a doctor in medicine, he had a son, Pius Hieronymus, that can be seen as Hans' cousin, who taught law at Freiburg, and became by 1527 chancellor of the Tyrol. Catalogue de l'exposition présentée à la Staatliche Kunsthalle de Karlsruhe du 30 novembre 2019 au 9 mars 2020. He was present at the diet of Augsburg in 1518, and one of his woodcuts represents Luther in quasi-saintly guise, under the protection of (or being inspired by) the Holy Spirit, which hovers over him in the shape of a dove. At the age of 26, he married Margaretha Härlerin (née Herlin), with whom he had one child: Margarethe Baldungin. Flying was inherently attributed to witches by those who believed in the myth of the Sabbath (without their ability to fly, the myth fragmented), such as Baldung, which he depicted in works like "Witches Preparing for the Sabbath Flight" (1514). But earlier, around the same time that he produced an important chiaroscuro woodcut of Adam and Eve, the artist became interested in themes related to death, the supernatural, witchcraft, sorcery, and the relation between the sexes. Limit to works on view. Hans Baldung Grien ali Grün, nemški slikar, grafik, * 1484, † september 1545.. Baldung je bil nemški umetnik v slikarstvu in grafiki, najbolj nadarjen učenec Albrechta Dürerja.Razvil je prepoznaven slog, poln barv, izražanja in domišljije. Common terms and phrases. Hans Baldung dire Grien (Schwäbisch Gmünd, 1485 à propos - Strasbourg, septembre 1545) Ce fut un peintre, concepteur, graveur et xylographer allemand, contemporain et étudiant Albrecht Dürer. Dimensions: Block: 8 11/16 × 6 1/16 in. Articles connexes; 5. 1534) Kunsthalle Karlsruhe Hans Baldung, genannt Grien, ist einer der bedeutendsten und eigenwilligsten Künstler der deutschen Renaissance. After his first years of apprenticeship in Strasbourg, he was an assistant in that city from 1503 to 1507–08, mainly creating drafts, which is to say, designs for glass painting and woodcuts. Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. Peintre et graveur allemand (Gmünd 1484/1485 – Strasbourg 1545). Expressions et termes fréquents. 1504 – 1507; The Nativity ca. Life. Hans Baldung Grien German, 1484/1485 - 1545 Baldung, Hans Biography; Works of Art; Artist Bibliography; Related Content Filter results by: Works on View. 0 Avis. At a later period he had sittings with Margrave Christopher of Baden, Ottilia his wife, and all their children, and the picture containing these portraits is still in the gallery at Karlsruhe. Exhibition catalogue, 5-8. His exact date of birth is unknown. The following year he married Margarethe Herlin, a local merchant's daughter,[8] joined the guild "Zur Steltz",[3] opened a workshop, and began signing his works with the HGB monogram that he used for the rest of his career. D'autres projets ; biographie. Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien,[a] (being an early nickname, because of his predilection for the colour green), was an artist in painting and printmaking, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer, whose art belongs to both German Renaissance and Mannerism. Another early work is a portrait of the emperor Maximilian, drawn in 1501 on a leaf of a sketch-book now in the print-room at Karlsruhe. [10] However, the separation of a satirical tone from deadly serious vilifying intent proves difficult to maintain for Baldung as it is for many other artists, including his rough contemporary Hieronymus Bosch. Geglättete horizontale Mittelfalte sowie eine kleine Papierausdünnung verso, ansonsten schön. Though Baldung has been commonly called the Correggio of the north, his compositions are a curious medley of glaring and heterogeneous colours, in which pure black is contrasted with pale yellow, dirty grey, impure red and glowing green. Instituts für Europaische Kulturgeschichte der Universitat Augsburg und der Staats-und Stadtbibliothek Augsburg, January-February, 1992. Hans Baldung a signé son retable à deux endroits différents. Hans Baldung Grien, La Vierge à l'Enfant endormi, 1520. Beginning in 1503, during the "Wanderjahre" ("Hiking years") required of artists of the time, Baldung became an assistant to Albrecht Dürer. Section 1. Baldung's art simultaneously represents ideals presented in ancient Greek and Roman poetry, such as the pre-16th century notion that witches could control the weather, which Baldung is believed to have alluded to in his 1523 oil painting "Weather Witches", which showcases two attractive and naked witches in front of a stormy sky. Most famously, he depicted witches, also a local interest: Strasbourg's humanists studied witchcraft and its bishop was charged with finding and prosecuting witches. By contrast, throughout the early sixteenth century, humanism became very popular, and within this movement, Latin literature was valorized, particularly poetry and satire, some of which included views on witches that could be combined with witch lore massively accumulated in works such as the Malleus Maleficarum. The long, forceful contour lines and the shorter, curved hatchings that imbue the drawing with plasticity and depth bear witness to Baldung Grien’s skill as a draftsman. Hans Baldung Grien's work depicting witches was produced in the first half of the 16th century, before witch hunting became a widespread cultural phenomenon in Europe. Galerie d'images; 4. 5: Section 2. Aucun commentaire n'a été trouvé aux emplacements habituels. Unconventional as a draughtsman, his treatment of human form is often exaggerated and eccentric (hence his linkage, in the art historical literature, with European Mannerism), whilst his ornamental style—profuse, eclectic, and akin to the self-consciously "German" strain of contemporary limewood sculptors—is equally distinctive. Hans Baldung Grien: Bucholzschnitte aus Augsburger Bestanden. Medium: Woodcut; first of two states. Two altar wings (Charles the Great, St. George), Augsburg, State Gallery. His talents were varied, and he produced a great and extensive variety of work including portraits, woodcuts, drawings, tapestries, altar… 1000 Fifth Avenue; New York, NY 10028; Phone: 212-535-7710; The Met Cloisters. In 1509, when Baldung's time in Nuremberg was complete, he moved back to Strasbourg and became a citizen there. His style became much more deliberately individual—a tendency art historians used to term "mannerist." 13: 10 other sections not shown. [10] On the other hand, through his family, Baldung stood as closer to the leading intellectuals of the day than any of his contemporaries, and could draw on a burgeoning literature on witchcraft, as well as on developing juridical and forensic strategies for witch-hunting. There is special force in the "Death and the Maiden" panel of 1517 (Basel), in the "Weather Witches" (Frankfurt), in the monumental panels of "Adam" and "Eve" (Madrid), and in his many powerful portraits. Recent Lots By Hans Baldung Grien. His most characteristic works in this area are small in scale and mostly in the medium of drawing; these include a series of puzzling, often erotic allegories and mythological works executed in quill pen and ink and white body color on primed paper. He became a celebrity of the town, and received many important commissions. Indeed, the influence of the master is visible, but the highly expressive gaze of the standard-bearer, his fear of death frozen into a memento mori, reveals that the drawing is very definitely a work by Baldung Grien. Cet article est extrait de l'ouvrage Larousse « Dictionnaire de la peinture ». In a manuscript, known as the 'Collectanea genealogica', she is quoted as 'Margred Härlerin'. During his lifetime there were few witch trials, therefore, some believe Baldung's depictions of witchcraft to be based on folklore rather than the cultural beliefs of his time. 5: Section 2. Because of its high artistic quality, this work was long attributed to Dürer, and another hand designated it as such with the Dürer monogram. Hans Baldung Grien. In addition to traditional religious subjects, Baldung was concerned during these years with the profane theme of the imminence of death and with scenes of sorcery and witchcraft. 1484/85–1545 Strasbourg) Date: 1510 Medium: Woodcut Accession: 48.13.2 On view in: Not on view The Met Fifth Avenue. Baldung's fascination with witchcraft began early, with his first chiaroscuro print (1510) lasted to the end of his career. Artist or Maker. Strasbourg, Musée de l’œuvre Notre-Dame, Regards sur Hans Baldung Grien, exposition jusqu'au 8 mars 2020. Bearing of the Cross ca. Hans Baldung (1484 or 1485 – September 1545), also called Hans Baldung Grien, the "Grien" element being an early nickname after his preferred colour green, was a German artist in painting and printmaking who was considered the most gifted student of Albrecht Dürer. Il est né en 1484 ou 1485 à Schwäbisch Gmünd (anciennement Gmünd en Allemagne), ville libre d'Empire, en Souabe d'où son père était originaire [N 1] et est mort à Strasbourg en septembre 1545. 1504 – 1507; Der auferstandene Christus ca. These depictions were a large part of the artist's greater body of work containing several renowned pieces of the Virgin.
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